Varahamihira praised,ISLAMIC SCIENCE

Varahamihira’s main work is the book Pañcasiddhāntikā (or Pancha-Siddhantika, “[Treatise] on the Five [Astronomical] Canons) dated ca. 575 CE gives us information about older Indian texts which are now lost. The work is a treatise on mathematical astronomy and it summarises five earlier astronomical treatises, namely the Surya Siddhanta, Romaka Siddhanta, Paulisa Siddhanta, Vasishtha Siddhanta and Paitamaha Siddhantas. It is a compendium of native Indian as well as Hellenistic astronomy (including Greek, Egyptian and Roman elements).

The 11th century Arabian scholar Alberuni also described the details of “The Five Astronomical Canons”:
the Indianshave 5 Siddhāntas:

Sūrya-Siddhānta, ie. the Siddhānta of the Sun, composed by Lāṭa,
Vasishtha-siddhānta, so called from one of the stars of the Great Bear, composed by Vishnucandra,
Pulisa-siddhānta, so called from Paulisa, the Greek, from the city of Saintra, which is supposed to be Alexandria, composed by Pulisa.
Romaka-siddhānta, so called from the Rūm, ie. the subjects of the Roman Empire, composed by Śrīsheṇa.
Brahma-siddhānta, so called from Brahman, composed by Brahmagupta, the son of Jishṇu, from the town of Bhillamāla between Multān and Anhilwāra, 16 yojanas from the latter place.”

ANCIENT INDIAN OBSERVATORY JANTAR MANTAR DELHI,

FOR more information on above subject contact musham3@gmail.com

Ancient SIND letter,

ANCIENT MEDIEVAL POSTAL HISTORY consisting mostly of government dispatches,AND SPYING ON THE PEOPLE and anti government workers and that report was carried from place to place by horse born men and on foot walkers during chandragupta period as written CHANAKYA BOOK OF ARTHASHASTA FIRST INDIAN CONTITUTION AND TAX MANUAL ,horse or horse-drawn wagon in ancient Egypt and Persia. Most mail was still being transported the same way in the middle of the 19th century, when stagecoaches carried letters and packages to the West coast.

Historical references to postal systems in Egypt date from about 2000 BC. The Persian Empire under Cyrus the Great (6th century BC) used a system of mounted relay messengers. The riders would stop at regularly placed posthouses to get a fresh horse or to pass on their packets of dispatches to another messenger for the remainder of the distance.

On the other side of the world, in China, a posthouse service had been started early in the Chou Dynasty (ruled 1122-221 BC). It was used mostly to convey official documents. The far-reaching system consisted of relays of couriers who changed horses at relay posts 9 miles yojana apart. The system was enlarged under the Han Empire (202 BC-AD 220), when the Chinese came in contact with the Romans and their postal system.

Ancient sind letter from mountains

RAJGHAT FDC,places of Delhi 15 FDC

Rajghat,is the place where Mahatma Gandhi was cremated. A memorial to the father of the nation,
Set in the midst of deep green lawns, Rajghat is the place where Mahatma Gandhi was cremated. A memorial to the

father of the nation, Rajghat is a simple square platform with a black memorial stone with “Hey Ram” inscribed on it.
“Hey Ram” were the last words uttered by the Mahatma before collapsing after being shot at.
Located on the west bank of the River Yamuna, Rajghat is surrounded by a wooded area and several exotic shrubs that

give the area a serene ambience. Walk along the ornate stone pathways as you relax on your tours to the samadhi of

one of the greatest leaders, statesman and humanist ever born.

India Travel Portal arranges for you to pay your respects at Rajghat and feel an indescribable peace as you approach

the resting place of one of the greatest proponents of non-violence.
Also tour the Gandhi Memorial Museum and the Gandhi Balidan Sthal as a part of your Rajghat tours with India Travel

Portal.

Delhi Forts are the sheer reminders of the glorious era of city’s successive dynasties. Visit the colossal Red Fort

and Old Fort two major attractions of the city capital.

Monumental heritage of Delhi is well preserved in its forts, palaces, temples and mosques. Visit the magnificent

Qutub Minar that holds lot of surprises in its colossal minaret.
India Gate is constructed as a memorial and was built in the memory of 90,00 soldiers who laid down their lives

during world war I. Located at Rajpath, India Gate is 42 m high and is popular relaxation area during the summer

evenings. India Gate also act as popular pinic spot during winter. Also known as the All India War Memorial, India

Gate was designed and constructed by Lutyens. He was the who is considered the chief proclaimer in designing the New

Delhi plans.

If it were not for the Montagu-Chelmsford reforms of 1919, the Parliament House may not have been built. It’s corny

how the building most indispensable to modern Indian democracy came up as an afterthought. Earlier called the

Circular House, it was added to the layout at a later stage following the reforms which created a large Legislative

Assembly.
This edifice is the brainchild of Herbert Baker and was much criticized in comparison with Lutyens creations. An

article by Robert Byron in Architectural Review, January 1931describes it thus: “The Council Chamber has been Sir

Herbert’s unhappiest venture. Its effect from a distance has been described. It resembles a Spanish bull-ring, lying

like a mill-wheel dropped accidentally on its side.”

The Viceroy Palace remains Lutyens most significant achievement. It is befittingly the crowning glory of the British

Empire and architecture in India. Today, it is perhaps India’s best known monument after the Taj Mahal and the Qutub

Minar. Bigger than the Palace of Versailles, it cost a whopping £12,53,000 and now houses the President of India. It

is unquestionably a masterpiece of symmetry, discipline, silhouette, colour and harmony. of course, it has come in

for much criticism too but that has mostly been limited to the imperial intent behind it rather than its

architecture.
The construction of Humayun’s tomb was taken up by the grief-stricken wife of Humayun, Hamida Banu, also known as

Bega Begam in 1565. Legend has it that the design of the Taj was inspired from this tomb’s. In pure architectural

sense, this building is probably superior and much more beautiful that the stunning Taj. Sacrilege? But really, the

only thing this building lacks is the showy marble.

Humayun- The Mughal Emperor Costructed The Fort
When the second Mughal emperor Humayun decided to make a city of his own he decided on the site of the ancient city

of Indraprastha. Humayun was quite a scholar with a fine grasp on such matters and so it is certain that the site was

chosen deliberately. When his Sher Shah Suri overthrew him, he destroyed most of Dinpanah (refuge of the faithful) as

the city of Humayun was called to make way for his own Dilli Sher Shahi or Shergarh. Incidentally, Humayun was

probably the only emperor in history who built a city in Delhi and did not give it his own name – this was typical of

Humayun’s rather sophisticated and dreamy character. The Layout of The Massive Colossal

Jantar Mantar
¤ An Observatory
The Jantar Mantar was built in 1710 by Raja Jai Singh II of Jaipur (1699-1743) in Delhi. This is an observatory

consisting of mason-built astronomical instruments to chart the course of the heavens. Jai Singh, who was a very

scholarly king with a very keen interest in astronomy and astrology, had other observatories built too – in Ujjain,

Jaipur, Mathura (which no longer survives) and Varanasi.
The first among these was this one in Delhi. The yantras (instruments, which has been distorted to Jantar) are built

of brick rubble and plastered with lime. The yantras have evocative names like, samrat yantra, jai prakash, ram

yantra and niyati chakra; each of which are used to for various astronomical calculations.

Qutub Minar in Delhi
¤ Constructed As A Holy Minar
Qutub MinarThe world famous towering Qutub Minar, started in 1192 by Qutub-ud-din Aibak (1192-98), breathes down the

neck of the Quwwat-ul-Islam mosque. There is a slight difference of opinion as to its purpose: it probably was a

tower of victory, but then again it could have been built to be a minar (tower), attached to the Quwwat-ul-Islam

mosque, for the muezzin (priest) to climb up top for a prayer.

¤ Other Belief of Its Construction

Among Delhites there are lots of other theories about the origin of the tower. Some say it was the observatory of the

great scientist Aryabhatta of ancient India, other claim that it was built by Prithvi Chauhan for his daughter to see

the Yamuna. In fact everything short of an extraterrestrial origin has been attributed to it. The presence of the

ancient non-rusting Iron Pillar within the complex further appears to add credence to the first theory. However the

tower, its entire design and architecture are undisputedly Islamic and all the other theories are just matters of

wild surmise.
Considering how shortchanged he was for time, it is doubtful that Qutub-ud-din got much further than a couple of

levels of the minar, in fact many suggest that lived to see only the first storey complete. Altamash, his successor,

completed the remaining tower.

¤ Measures Taken To Keep The Minar In Perfect Shape

It is clear that the tower was very close to the sultanate’s heart, since repeated efforts were made to keep it in

perfect shape. In its long career, the tower got hit by lightening twice – something that, of course, with its height

it was literally asking for. Once during the reign of Muhammad-bin-Tughlaq, who very decently repaired the ensuing

damage. The next time was in the indefatigable builder Feroze Shah Tughlaq’s time, when the topmost storey got

damaged. Feroze Shah, who of course couldn’t well leave things alone, not only repaired the floor, but also sneaked

in another level.

The Mecca of all the lovers, without places to go and extra money to spend in Delhi, is the beautiful and serene Lodi

Garden. Its original purpose was hardly that however. It was designed over two dynasties – the Sayyids and Lodis (15

-16 th century) – to be a sort of everyone-take-one graveyard for their families.

During the British times the garden went under the moniker of Lady Willingdon Park, all that stopped with the

Independence when they reverted back to being good old Lodi garden. In 1968, the gardens were spruced and

relandscaped by JA Stein and Garrett Eckbo. There are several tombs in this area. You can climb to the top of some of

them. However the steps are very steep and dark so it’s strictly not recommended. Apart from breaking your neck, you

might end up being bitten by a snake or something
The result of this combined effort is an interesting mix in styles that is clearly discernable all over the tower.

Each of the original three storeys has different designs. The base storey has alternate angular and circular flutings

while those of the second one are round and the third one has only angular flutings. Their alignment is mercifully

similar, so giving the tower a rhythmic harmony. The pretty projecting balconies have a very interesting pattern,

with icicle-shaped pendentive (an intricate design in which triangular pieces of vaulting spring from the corners of

a rectangular area and support a rounded or polygonal dome) type of brackets. The attractiveness of the balconies is

heightened by the bands of sonorous inscriptions. The diameter (at base) of the Qutub Minar is 14.32m and about 2.75m

at the top.

¤ The Attraction of Crownig Cupola

The tower had a crowning cupola on the top at one time, however this was struck down sometime in the early 19th

century, an earthquake felled it. This was replced by a well meaning English engineer Major Smith. However it must

have looked quite an eyesore for when Lord Hardinge was Governor-general of British India, he had it removed. You can

see it now on the spruce lawns of the Qutub complex. Come to think of it, it must have been eyesore – it’s called

Smith’s folly.

RAJGHAT places of Delhi FDC sale

Spread of Buddhism by messages on ROCK,

The Edicts of Ashoka are a collection of 33 inscriptions on the Pillars of Ashoka, as well as boulders and cave walls, made by the Emperor Ashoka of the Mauryan dynasty during his reign from 272 to 231 BC. These inscriptions are dispersed throughout the areas of modern-day Pakistan, Nepal and India, and represent the first tangible evidence of Buddhism. The edicts describe in detail the first wide expansion of Buddhism through the sponsorship of one of the most powerful kings of Indian history. According to the edicts, the extent of Buddhist proselytism during this period reached as far as the Mediterranean, and many Buddhist monuments were created.

These inscriptions proclaim Ashoka’s beliefs in the Buddhist concept of dharma and his efforts to develop the dharma throughout his kingdom. Although Buddhism and the Buddha are mentioned, the edicts focus on social and moral precepts rather than religious practices or the philosophical dimension of Buddhism.

In these inscriptions, Ashoka refers to himself as “Beloved of the Gods” and “King Priya-darshi.” The identification of King Priya-darshi with Ashoka was confirmed by an inscription discovered in 1915. The inscriptions found in the eastern part of India were written in the Magadhi language, using the Brahmi script. In the western part of India, the language used is closer to Sanskrit, using the Kharoshthi script, one extract of Edict 13 in the Greek language, and one bilingual edict written in Greek and Aramaic.These edicts were decodified by British archeologist and historian James Prinsep.

The inscriptions revolve around a few repetitive themes: Ashoka’s conversion to Buddhism, the description of his efforts to spread Buddhism, his moral and religious precepts, and his social and animal welfare program.
In order to propagate the Buddhist faith, Ashoka explains he sent emissaries to the Hellenistic kings as far as the Mediterranean, and to the peoples throughout India, claiming they were all converted to the Dharma as a result. He names the Greek rulers of the time, inheritors of the conquest of Alexander the Great, from Bactria to as far as Greece and North Africa, displaying an amazingly clear grasp of the political situation at the time.

Spread of religion by messages on ROCK,

Buddhism in SUMERIA,Akkadian Postal history

SUMERIAN,Akkadian Postal history

The Akkadian Empire was an empire centered in the city of Akkad Biblical Accad in central Mesopotamia present day Iraq.The city of Akkad was situated on the west bank of the Euphrates, between Sippar and Kish (in Iraq, about 50 km (31 mi) southwest of the center of Baghdad). Despite an extensive search, the precise site has never been found. It reached the height of its power between the 24th and 22nd centuries BC, following the conquests of king Sargon of Akkad.
Because of the policies of the Akkadian Empire toward linguistic assimilation, Akkad also gave its name to the predominant Semitic dialect: the Akkadian language, reflecting use of akkadû (“in the language of Akkad”) in the Old Babylonian period to denote the Semitic version of a Sumerian text.
The form Agade appears in Sumerian, for example in the Sumerian King List; the later Assyro-Babylonian form Akkadû belonging to Akkad It is possible that the Sumerian name, despite its unetymological spelling A.GA.DÈ, is from AGA.DÈ, meaning “Crown of Fire” in allusion to Ishtar, “the brilliant goddess”, whose cult was observed from very early times in Agade. Centuries later, the neo-Babylonian king Nabonidus mentioned in his archaeological records[4] that Ishtar’s worship in Agade was later superseded by that of the goddess Anunit, whose shrine was at Sippar—suggesting proximity of Sippar and Agade.Despite numerous searches, the city has never been found. One theory holds that Agade was situated opposite Sippar on the left bank of the Euphrates, and was perhaps the oldest part of the city of Sippar. Another theory is that the ruins of Akkad are to be found beneath modern Baghdad. Reputedly it was destroyed by invading Gutians with the fall of the Akkadian Empire.

The first known mention of the city of Akkad is in an inscription of Enshakushanna of Uruk, where he claims to have defeated Agade—indicating that it was in existence well before the days of Sargon of Akkad, who the Sumerian kinglist claims to have built it.Akkad is mentioned once in the Tanakh—Book of Genesis 10:10: And the beginning of his Nimrod’s kingdom was Babel, and Erech, and Accad, and Calneh, in the land of Shinar. The Greek (LXX) spelling in this passage is Archad.

SUMERIAN,Akkadian Postal history cover letter

Bhuddism in greek,aramic,khemr MAP

Bhuddism in greek,aramic,khemr MAP

Bhuddism in greek,aramic,khemr MAP

Proselytism within Ashoka’s territories

Inside India proper, in the realm of Ashoka, many different populations were the object of the King’s proselytism:

“Here in the king’s domain among the Greeks, the Kambojas, the Nabhakas, the Nabhapamkits, the Bhojas, the Pitinikas, the Andhras and the Palidas, everywhere people are following Beloved-of-the-Gods’ instructions in Dhamma.” Rock Edict Nb13 (S. Dhammika)

Greek communities lived in the northwest of the Mauryan empire, in the region of Pakistan, notably ancient Gandhara near the Pakistani capital of Islamabad, and in southern Afghanistan in the region of Gedrosia, following the conquest and the colonization efforts of Alexander the Great around 323 BC. These communities therefore seem to have been still significant during the reign of Ashoka. A notable mention references aspects of Greek society.

There is no country, except among the Greeks, where these two groups, Brahmans and ascetics, are not found, and there is no country where people are not devoted to one or another religion” Rock Edict Nb13 (S. Dhammika)

Bilingual inscription (Greek and Aramaic) by king Ashoka, from Kandahar (Shar-i-kuna). Kabul Museum.

Two edicts in Afghanistan have been found with Greek inscriptions, one of these being a bilingual edict in Greek language and Aramaic. This edict, found in Kandahar, advocates the adoption of “Piety” (using the Greek term Eusebeia for Dharma) to the Greek community:

“Ten years (of reign) having been completed, King Piodasses (one of the titles of Ashoka: Piyadassi or Priyadarsi, “He who is the beloved of the Gods and who regards everyone amiably”) made known (the doctrine of) Piety (Greek:e?s?ße?a, Eusebeia) to men; and from this moment he has made men more pious, and everything thrives throughout the whole world. And the king abstains from (killing) living beings, and other men and those who (are) huntsmen and fishermen of the king have desisted from hunting. And if some (were) intemperate, they have ceased from their intemperance as was in their power; and obedient to their father and mother and to the elders, in opposition to the past also in the future, by so acting on every occasion, they will live better and more happily.” (Trans. by G.P. Carratelli

Kambojas are a people of Central Asian origin who had settled first in Arachosia and Drangiana (today’s southern Afghanistan), and then in the northwestern Indian subcontinent in Sindhu, Gujarat and Sauvira.
* The Nabhakas, the Nabhapamkits, the Bhojas, the Pitinikas, the Andhras and the Palidas are other people under Ashoka’s rule.

History of Handlooms

History of Handlooms

Mythology of weaving,history of KHADI BOARD,banknotes,QUEEN with spindle,
By musham damodhar rao
The theme of weaving in mythology is ancient, and its lost mythic lore probably accompanied the early spread of this art. Westward of Central Asia and the Iranian plateau, weaving is a mystery within woman’s sphere, and where men have become the primary weavers in this part of the world, it is possible that they have usurped the archaic role.

Weaving begins with spinning. Until the spinning wheel was invented in the 14th century, all spinning was done with distaff and spindle. In English the “distaff side” indicates relatives through one’s mother, and thereby denotes a woman’s role in the household economy
Egypt

In pre-Dynastic Egypt, was already the goddess of weaving (and a mighty aid in war as well). She protected the Red Crown of Lower Egypt before the two kingdoms were merged, and in Dynastic times she was known as the most ancient one, to whom the other gods went for wisdom. Nit is identifiable by her emblems and most often it is the loom’s shuttle, with its two recognizable hooks at each end, upon her head. According to The Gods of the Egyptians the root of the word for weaving and also for being are the same
Many of the world’s people understand that the world is woven and that a weaving Creator wove its designs into being

Ancient Romans regarded the processes of spinning and weaving with superstitious awe. In many parts of the Roman empire, laws banned women from holding a spindle in public: should anyone lay eyes on such a woman, it could mean exceptionally bad luck, perhaps even the failure of the harvest.

The concept of weaving actually relates to mythology much more than simply appearing in myths, the English word text is derived from the Latin word for weaving, texare, explaining the source of terms like “weaving a story”.

In Baltic myth, She is the life-affirming sun goddess, whose numinous presence is signed by a wheel or a rosette. She spins the sunbeams. The Baltic connection between the sun and spinning is as old as spindles of the sun-stone, amber, that have been uncovered in burial mounds. Baltic legends as told have absorbed many images from Christianity and Greek myth that are not easy to disentangle.

In China, the weaving goddess floated down on a shaft of moonlight with her two attendants, showed to the upright court official in his garden that a goddess’s robe is seamless for it is woven without the use of needle and thread, entirely on the loom. The phrase “a goddess’s robe is seamless” passed into an idiom to express perfect workmanship. This idiom is also used to mean a perfect thing.

A royal portrait employing strong mythic overtones: born a German princess, adopts the national costume , with distaff and spindle.
ROYAL QUEENS”S costume with distaff and spindle.

Philately, Numismatics,Epigraphy,Ancient Science,Pyretics,Metallurgy,Astronomy,Vaastu,Mathematics,geography,Mythology,ancient coins, gods,Telugu cinema,HISTORY OF Playing Cards. Stamps. Coins, Currency notes ,HISTORY OF BANKING ,Rulers,India,Sciences,vedic literature,echo sound,Forts,Hyderabad.BHUDDHISM,SOUTH INDIA,satavahana,Coins of BHUDDHA,Banking,BANK OF BENGAL,TEMPLES,ANDHRA,WONDERS, radio DXING collect QSLcards,history of handloom textiles,Islamic science from QURAN and others texts of 10 Century AD onwards,piri REIS map of 1300Ad
coins,postalhistory,banknotes,alexander,bible,Quran,hindu,moghul,mythology,ancientscience,speedoflight,gods,sultanate,indiastocknote1891,bombay,bengal,farmans,kingsalaryreciepts,ancientcoins,Handlooms,weavers,handloomexport,

coins,stamps,banknotes,hindu,moghul,mythology,ancientscience,speedoflight,gods,sultanate,indiastocknote1891,bombay,bengal,farmans,Handlooms,weavers,handloomexport,
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$44

IN Nagpur session (1920) that the Indian National Congress decided to encourage “Khadi”. The first Khadi Production Centre was established at Katiawad, Gujarat, Mahatma Gandhi used to refer to Khadi as “The delilivery of freedom”.

In fact, Khadi was introduced in 1920 as a political weapon and as the best instrument for giving concrete expression to the Swadeshi Spirit to boycott foreign goods. Khadi rendered an opportunity to every man, woman and child to cultivate self-discipline and self-sacrifice as a part of the non-cooperation movement.

Development of All India Board under the Indian National Congress by Gandhiji.

1923 Given below is a chronology of events that contributed to the development of Khadi in India over time in 1923

1925 Setting up of All India Spinners Association (AISA) / Akhil Bharat Charkha Sangh,

1935 All India Village Industries Association (AIVIA) was formed.

1946 Govt. of Madras sought the advice of Gandhiji and set up a Department for Khadi.

1948 Govt. of India recognized the role of Rural Cottage Industries in the Industrial Policy Resolution, 1948. Constituent Assembly included Cottage Industries in Rural Areas among the directive Principles of the Constitution in Article 43.

These ideas were elaborated in the First five-year Plan, which laid down the Policy framework for setting up of a body for Khadi and Village Industries. Central Govt. also recommended for setting up of a Board.

1953 In accordance with these recommendations, Govt. of India set up All India Khadi & Village Industries Board in January, 1953. (AIKVIB)

1955 It was decided that a statutory body should replace the Board.

1956 Khadi and Village Industries Commission Act 1956 was passed.

1957 Khadi and Village Industries Commission came into being.

The post independence period saw the Government of India and the planning commission assuring the responsibility of fitting Khadi and Village Industries within the framework of five-year plans

Here are photos pf some interesting banknotes issued by the THE VILLAGE AND GRAMAUDYOG commision or other name with a variatin
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Banknote on Weaving in khemr nation

A loom is a machine or device for weaving thread or yarn into textiles. Looms can range from very small hand-held frames, to large free-standing hand looms, to huge automatic mechanical devices. The ancient Egyptians and Chinese used looms as early as 4000 BC.
The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same.
Weaving is the textile art in which two distinct sets of yarns or threads, called the warp and the filling or weft (older woof), are interlaced with each other to form a fabric or cloth. The warp threads run lengthways of the piece of cloth, and the weft runs across from side to side.
Warp and weft in plain weaving.
Cloth is woven on a loom, a device for holding the warp threads in place while the filling threads are woven through them. Weft is an old English word meaning “that which is woven”.
The manner in which the warp and filling threads interlace with each other is known as the weave. The three basic weaves are plain weave, satin weave, and twill, and the majority of woven products are created with one of these weaves.Woven cloth can be plain (in one color or a simple pattern), or it can be woven in decorative or artistic designs, including tapestries. Fabric in which the warp and/or weft is tie-dyed before weaving is called ikat.

lady-weaving

Let modern children remember handlooms

Let modern children remember handlooms

The ancient art of handweaving, along with hand spinning, remains a popular craft. The majority of commercial fabrics in the West are woven on computer-controlled Jacquard looms. In the past, simpler fabrics were woven on dobby looms, while the Jacquard harness adaptation was reserved for more complex patterns. Some believe the efficiency of the Jacquard loom, with its Jacquard weaving process, makes it more economical for mills to use them to weave all of their fabrics, regardless of the complexity of the design.
Weaving is the textile art in which two distinct sets of yarns or threads, called the warp and the filling or weft (older woof), are interlaced with each other to form a fabric or cloth. The warp threads run lengthways of the piece of cloth, and the weft runs across from side to side.
Warp and weft in plain weaving.
Cloth is woven on a loom, a device for holding the warp threads in place while the filling threads are woven through them. Weft is an old English word meaning “that which is woven”.
The manner in which the warp and filling threads interlace with each other is known as the weave. The three basic weaves are plain weave, satin weave, and twill, and the majority of woven products are created with one of these weaves.Woven cloth can be plain (in one color or a simple pattern), or it can be woven in decorative or artistic designs, including tapestries. Fabric in which the warp and/or weft is tie-dyed before weaving is called ikat.
The ancient art of handweaving, along with hand spinning, remains a popular craft. The majority of commercial fabrics in the West are woven on computer-controlled Jacquard looms. In the past, simpler fabrics were woven on dobby looms, while the Jacquard harness adaptation was reserved for more complex patterns. Some believe the efficiency of the Jacquard loom, with its Jacquard weaving process, makes it more economical for mills to use them to weave all of their fabrics, regardless of the complexity of the design

Process of weaving now

Process of weaving now

WEAVING. The process of weaving consists in interlacing, at right angles, two or more series of flexible materials, of which the longitudinal are called warp and the transverse weft. Weaving, therefore, only embraces one section of the textile industry, for felted, plaited, netted, hosiery and lace fabrics lie outside this definition. Felting consists in bringing masses of loose fibres, such as wool and hair, under the combined influences of heat, moisture and friction, when they become firmly inter – locked in every direction. Plaited fabrics have only one series of threads interlaced, and those at other than right angles. In nets all threads are held in their appointed places by knots, which are tied wherever one thread intersects another. Hosiery fabrics, whether made from one or many threads, are held together by intersecting a series of loops; while lace fabrics are formed by passing one set of threads between and round small groups of a second set of threads, instead of moving them from side to side. Notwithstanding the foregoing limitations, woven fabrics are varied in texture and have an enormous range of application. The demands made by prehistoric man for fabrics designed for clothing and shelter were few and simple, and these were fashioned by interlacing strips of fibrous material and grasses, which in their natural condition were long enough for the purpose in hand. But, as he passed from a state of savagery into a civilized being, his needs developed with his culture, and those needs are still extending. It no longer suffices to minister to individual necessities; luxury, commerce and numerous industries must also be considered.

The invention of spinning gave a great impetus to the introduction of varied effects previously; the use of multicoloured threads provided ornament for simple structures, but the demand for variety extended far beyond the limits of colour, and different materials were employed either separately or conjointly, together with different schemes of interlacing. Eventually the weaver was called upon to furnish articles possessing lustre, softness and delicacy; or those that combine strength and durability with diverse colourings, with a snowy whiteness, or with elaborate ornamentation. In cold countries a demand arose for warm clothing, and in hot ones for cooler materials; while commerce and industry have requisitioned fabrics that vary from normal characteristics to those that exceed an inch in thickness. In order to meet these and other requirements the world has been searched for suitable raw materials. From the animal kingdom, wool, hair, fur, feathers, silk and the pinna fibre have long been procured. From the vegetable kingdom, cotton, flax, hemp, jute, ramie and a host of other less known but almost equally valuable materials are derived. Amongst minerals there are gold, silver, copper, brass, iron, glass and asbestos. In addition, strips of paper, or skin, in the plain, gilt, silvered and painted con – ditions are available as well as artificial fibres. All of the fore – going may be used alone or in combination.

The process of weaving